Movies - Africans in the Media
Once in a while, I enjoy watching old time movies made in Africa like King Solomon’s Mines (Haggard Rider), She, Mogambo and others, which were made before we could complain about the negative portrayal of Africans. It is somewhat amusing to see the wierd and tactless ideas moviemakers and writers had of Africa and Africans. We were portrayed as ignorant, lazy and cowardly and that we desperately needed western civilisation to save us from chaos.
What I strongly protest is the modern remakes of those same old stereotypes like King Solomon’s Mine being shown by Hallmark TV and staring Patrick Swayze, - you know the Ghost guy. I was irritated by Hallmark and this movie and so I watched a few scenes so that I could register my objections. Some of the ideas about the “Dark Continent” that still persist include:
Africa as one great lump of land
The people, languages, cultures and countries are interchangeable
Africans are superstitious and under the power of witchdoctors
white people are still smart and come to our rescue – we need them to survive
Africans are uncivilised, ignoring proof of our ancestors’ civilisations
Africans are naïve and are easily duped
Africans do nothing all day but sit outside their thatched huts – who does the cooking, farming or even build the huts? Who makes the clothes, takes care of the animals and fetches water?
The natives will spontaneously start singing and dancing to entertain the white man or the chief (king, headman etc)
The movie makers do not differentiate between regional dressing, hairstyles or dances
The list is endless, the faults and stereotypes are the same – even in this day and age.
The most annoying fact was that the movie makers did not bother to recruit Africans who speak the same language. There were several languages spoken by a number of people, who understood each other!!! Wonder of wonders. People who spoke Swahili, Zulu, Xhosa and others could all understand each other. Here is an example of a narrative
Speaker one in Swahili: I am the rightful ruler, not Twala
Speaker two in Zulu: How can I believe you are the king?
Speaker one Swahili: Look at my markings
Speaker three in another language: Yes those are the markings of the King
Chorus of Africans in a Babel of languages; Hail to the King
Swahili is my second language and I know a few Zulu words so it was apparent to me that the actors were separated not only by language but by a several thousands of miles. The cultures and customs are as different as Germany is to England. But did the movie makers take this into consideration?
I suppose the movie makers’ primary audience are non-Africans so it would not matter if such things as African languages, cultures and customs were rather hazy. The primary audience would not be the wiser and would thus not affect them.
It is incredible that these famous stars and reputable movie companies can make such movies that are insult to Africans without a second thought. I suppose the fact that there were Africans acting in the movie did nothing to ensure that the movie was not an insult to Africans.
What I strongly protest is the modern remakes of those same old stereotypes like King Solomon’s Mine being shown by Hallmark TV and staring Patrick Swayze, - you know the Ghost guy. I was irritated by Hallmark and this movie and so I watched a few scenes so that I could register my objections. Some of the ideas about the “Dark Continent” that still persist include:
Africa as one great lump of land
The people, languages, cultures and countries are interchangeable
Africans are superstitious and under the power of witchdoctors
white people are still smart and come to our rescue – we need them to survive
Africans are uncivilised, ignoring proof of our ancestors’ civilisations
Africans are naïve and are easily duped
Africans do nothing all day but sit outside their thatched huts – who does the cooking, farming or even build the huts? Who makes the clothes, takes care of the animals and fetches water?
The natives will spontaneously start singing and dancing to entertain the white man or the chief (king, headman etc)
The movie makers do not differentiate between regional dressing, hairstyles or dances
The list is endless, the faults and stereotypes are the same – even in this day and age.
The most annoying fact was that the movie makers did not bother to recruit Africans who speak the same language. There were several languages spoken by a number of people, who understood each other!!! Wonder of wonders. People who spoke Swahili, Zulu, Xhosa and others could all understand each other. Here is an example of a narrative
Speaker one in Swahili: I am the rightful ruler, not Twala
Speaker two in Zulu: How can I believe you are the king?
Speaker one Swahili: Look at my markings
Speaker three in another language: Yes those are the markings of the King
Chorus of Africans in a Babel of languages; Hail to the King
Swahili is my second language and I know a few Zulu words so it was apparent to me that the actors were separated not only by language but by a several thousands of miles. The cultures and customs are as different as Germany is to England. But did the movie makers take this into consideration?
I suppose the movie makers’ primary audience are non-Africans so it would not matter if such things as African languages, cultures and customs were rather hazy. The primary audience would not be the wiser and would thus not affect them.
It is incredible that these famous stars and reputable movie companies can make such movies that are insult to Africans without a second thought. I suppose the fact that there were Africans acting in the movie did nothing to ensure that the movie was not an insult to Africans.